11/25/2023 0 Comments Zither chinese![]() ![]() The music was composed by a blind streetside folk musician called Ah Bing (阿炳). The most famous piece of erhu music in China is ‘Two Springs Reflect the Moon’ (二泉映月). It allows for a high degree of virtuosity, covers three octaves, and can be made to imitate the sound of Chinese singing as well as birds and horses. ![]() “ Music and Art of China.Erhus generally retain their traditional tuning system, so they may sound odd to Western ears. "The Qin and the Chinese Literati." Orientations 12 (November 1981), pp. San Francisco: Chinese National Music Association, 1972. The Chinese Ch'in: Its History and Music. New York: The Metropolitan Museum of Art, 2000–. “The Qin.” In Heilbrunn Timeline of Art History. The Han dynasty also witnessed the appearance of qin treatises documenting Confucian playing principles (the instrument was played by Confucius) and listing titles and stories of many pieces. The thirteen mother-of-pearl studs ( hui) running the length of one side indicate finger positions for harmonics and stopped notes, a Han-dynasty innovation. Qins over a hundred years old are considered best, the age determined by the pattern of cracks ( duanwen) in the lacquer that covers the instrument’s body. Like the pipa, the qin is generally played solo. The qin, one of many East Asian zithers, has no bridges to support the strings, which are raised above the soundboard by nuts at either end of the upper board. ![]() Gentlemen ( junzi) played the qin for self-cultivation.Įach part of the instrument is identified by an anthropomorphic or zoomorphic name, and cosmology is ever present: for example, the upper board of wutong wood symbolizes heaven, the bottom board of zi wood symbolizes earth. ![]() A serene moonlit night was considered an appropriate performance time, and since the performance was highly personal, one would play the instrument for oneself or on special occasions for a close friend. Ming-dynasty (1368–1644) literati who claimed the right to play the qin suggested that it be played outdoors in a mountain setting, a garden, or a small pavilion or near an old pine tree (symbol of longevity) while burning incense perfumed the air. Writers of the Han dynasty (206 B.C.–220 A.D.) claimed that playing the qin helped to cultivate character, understand morality, supplicate gods and demons, enhance life, and enrich learning, beliefs that are still held today. Qin playing has traditionally been elevated to a high spiritual and intellectual level. During the Western Jin dynasty (265–316), the instrument became that form which we know today, with seven twisted silk strings of various thicknesses. are shorter and hold ten strings, indicating that the music was probably also unlike today’s repertoire. Qins found in excavations dating to the fifth century B.C. 1600–1046 B.C.), while Zhou-dynasty (1046–256 B.C.) documents refer to it frequently as an ensemble instrument and record its use with another larger zither called the se.Įarly qins are structurally different than the instrument used today. Ideographs on oracle bones depict a qin during the Shang dynasty (ca. Chinese lore holds that the qin was created during the late third millennium B.C. Endowed with cosmological and metaphysical significance and empowered to communicate the deepest feelings, the qin, a type of zither, beloved of sages and of Confucius, is the most prestigious of China’s instruments. ![]()
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